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Aug 27, 2009

Supply list for acrylic

Hi, I added "transparent"/"opaque" for every list:)

Supply list for Acrylic:

Options for surfaces: Unprimed un-stretched thick canvas, board, canvas on board, stretched canvas, watercolor paper with Gesso primer.

Surfaces for short sketches: Unstretched canvas, acrylic paper or watercolor paper. Size: around 10” by 12”.

Painting board, masking tape and clips.

(Explanation will be given in first class, bring a couple of surfaces for first class).

Gesso

Acrylic Paint:

Big Tubes of Titanium White Open and Titanium White Heavy Body

Only one from each list (A to H).

List A: Cadmium Yellow light (opaque)

List B: Cadmium Orange (opaque)

List C: Cadmium Red (opaque)

List D: Cadmium Green Light, Cobalt Titane Green, Light Green, Brilliant Yellow Green (opaque)

List E: Alizarin Crimson (transparent)

List F: Pthalo Green, Sap Green (transparent)

List G: Indian Yellow, Hanza Yellow Medium, Nickel Azo Yello (transparent)

List H: Ultramarine Blue (transparent)

Recommended:

At least one from each list (I to K)

List I: Cobalt Blue, Medium Violet, light violet (opaque)

List J: Yellow Ochre, Burnt Sianna, Veridian Green (opaque)

List K: Dioxazine Purple, Pthalo Blue, Egyptian Violet (transparent)

Recommended brand: Golden Open Acrylic.

Golden Gels / Medium: Open thinner, Open Gel Gloss, Heavy Gel Gloss, Extra Heavy Gel.

Brushes:

Natural Bristle: Brights # 6-12, Flats # 6-12, Filbert # 6-8, Round #6-8

Natural Sable: Filbert # 6-9, Flat # 7-11, Round # 0-3

Palette: Glass Palette is great. Plastic ok - ask for wet palette or plastic palette with cover

Palette knives

Spray bottle

Clean rags & paper towels

Aug 22, 2009

Questions?

Hi all, hope your weekend is going well.
The add comments/questions gadget should work now (look at the sidebar to your right). If you have any question regarding material list or anything else, use it.

to reach me:
hagitbarkai.com

Take care

Aug 20, 2009

Material List


Supply list
Stores:
1. Texas Art Supply. 2001 Montrose Blvd, Houston, TX - (713) 874-5783
2. Art Supply. 2711 Main St # 100, Houston, TX 77002-9229, (713) 652-4984, (713) 652-5028

Supply list for Acrylic:
Options for surfaces: Unprimed un-stretched thick canvas, board, canvas on board, stretched canvas, watercolor paper with Gesso primer.
Surfaces for short sketches: Unstretched canvas, acrylic paper or watercolor paper. Size: around 10” by 12”.
Painting board, masking tape and clips.
(Explanation will be given in first class, bring a couple of surfaces for first class).
Gesso
Acrylic Paint:
Big Tubes of Titanium White Open and Titanium White Heavy Body
Only one from each list (A to H).
List A: Cadmium Yellow light
List B: Cadmium Orange
List C: Cadmium Red
List D: Cadmium Green Light, Cobalt Titane Green, Light Green, Brilliant Yellow Green
List E: Alizarin Crimson
List F: Pthalo Green, Sap Green
List G: Indian Yellow, Hanza Yellow Medium, Nickel Azo Yello
List H: Ultramarine Blue
Recommended:
At least one from each list (I to K)
List I: Cobalt Blue, Medium Violet, light violet
List J: Yellow Ochre, Burnt Sianna, Veridian Green
List K: Dioxazine Purple, Pthalo Blue, Egyptian Violet,
Recommended brand: Golden Open Acrylic.
Golden Gels / Medium: Open thinner, Open Gel Gloss, Heavy Gel Gloss, Extra Heavy Gel.
Brushes:
Natural Bristle: Brights # 6-12, Flats # 6-12, Filbert # 6-8, Round #6-8
Natural Sable: Filbert # 6-9, Flat # 7-11, Round # 0-3
Palette: Glass Palette is great. Plastic ok - ask for wet palette or plastic palette with cover
Palette knives
Spray bottle
Clean rags & paper towels


Body




The Dinner Party, Judy Chicago
© Judy Chicago / © Polshek Partnership Architects; Used with permission

Barbara Gruger



Mary Kelly
Kelly

Antepartum

Lorna Simpson

Wigs (portfolio) 1994.  Lorna Simpson

Karen Finley

Karen Finley covered in Chocolate

Collier Schorr



Janine Antoni

contacts

Lilibeth Cuenca Rasmussen's re-enactment of "Loving Care" (1992-1996) by Janine Antoni by hoggardb.

"Lick and Lather," detail




Mel Ramos


Maria Mariani

Nancy Davidson
Buttress by Nancy Davidson, 1997, latex and fabric, 180 inches tall by 53 inches wide by 33 inches deep

Vanessa Beecroft


Marc Quinn


Places

Mona Hatoum
Mobile Home II, 2006
Furniture, household objects, suitcases, galvanized steel barriers, three electric motors and pulley system

richard-serra-exhibit-01
Richard Sera
Richard Sera
Richard Sera

File:Roxy Paine MSG.jpg
Roxy Paine's Conjoined, 2007 installed at Madison Square Park, New York


Roxy Paine, Erratic. Courtesy of the Prospect Park Alliance.
Roxy Raine

Bruce Nauman MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage), 2001
Bruce Nauman MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)

Julia Scher, Security by Julia II, Artists Space, New York, 1989.
Julia Scher, Security by Julia II, Artists Space, New York, 1989.

Palais de Tokyo, Paris


Janet Cardiff Muriel Lake Incident 1999, Courtesy of the Fondazione Sandretto re Rebaundengo per L'arte, Turin.  Photograph courtesy of the Artist and Luhring Augustine
Janet Cardiff Muriel Lake Incident 1999
Janet Cardiff Forty Part Motet
Janet Cardiff Forty-Part Motet 2001 (British Edition)

Aug 19, 2009

Calendar

22- Aug:

Introduction


21 – Aug:

Last Drop/Add/Swap class


29-Aug:

Materials acquiring due

Introducing Project #1: Tonal Balance

Work on Project #1

Demonstration: preparing surfaces: paper un-mounted canvas and canvas on board

Demonstration: tonal value, sense of light, monochrome, alla prima.

5-Sep:

Work on Project #1

Introducing first written assignment: Modernism

Computer lab: blog orientation

Materials given: "Still Life" from "Hawthorn On Painting"

10-Sep:

First written project due online at 5:00 p.m.


12-Sep:

View Finder Exercise: arranging still life, composition, class feedback

Demonstration: measuring angles

Work on Project #1, class feedback

Slide presentation: The sense of light in traditional painting

Discussion on first written assignment

Announcements:

Project #1 'monochromatic still life' is due next class.

We will have four sessions with models towards the second half of the class. Dates will be announced later.


19-Sep:

View finder exercise: space, interiors.

Introductory exercise to Project #2: from lines and tones to colors.

Introducing Project #2: Color - explanations of materials for color.

Project#1 due: Class Critique

21- Sep:
Grades for Modernism assignment sent to emails.

26-Sep:

Due: Color pallet

Demonstration: color mixing, handling of the pallet and paint.

Exercise: color mixing

Work on project #2


3-Oct:
Work on project #2: color.

Grades for Studio Project #1 received in class


10-Oct:

Work on project #2

Demonstration: glazes, scrumble and impasto over alla prima

Slide presentation/museum: The use of temperature in traditional painting


17-Oct:

Work on project #2

Introducing second written assignment: Duchamp and Warhol


24-Oct:

Project #2 due: class critique

Discussion on second written assignment

Introducing Project #3: Figure Painting with A Model.

Model: Bobby

Work on project #3



31-Oct:

Model: Kristina

Work on project #3

Demonstration: texture

Slide presentation: use of color

Discussion on second written assignment


5-Nov

Second Written assignment due online at 5:00 p.m.


7-Nov:

Model: Patricia

Work on project #3

Discussion on second written assignment

Slide Presentation: introducing project #4 and third written assignment: Personal Project

announcement: Work for show due next week

14-Nov:

Model: Gloria

Work on project #3

Project #3 due: class critique

Work for show due

21-Nov:

Work on project #4

Slide presentation: Subject matters in contemporary art


26-Nov:

Third written assignment due online at 5:00 p.m.


28-Nov:

In Progress class feedback and discussion for project #4

Work on project #4


5-Dec:

Project #4 due: Presentation of project, Final critique

class cleanup


6 – Dec:

Instruction Ends


13 – Dec:

Semester Ends


18 – Dec

Final Grades Available


21-Dec to 1-Jan: Office closed, Christmas break